Puliyattam

In this article we will explore Puliyattam in depth, a topic that has sparked great interest and debate in recent years. From its origins to its relevance today, Puliyattam has captured the attention of various spheres of society. Through an exhaustive analysis, we will examine the different edges that make up Puliyattam, as well as their implications in different contexts. In addition, we will emphasize the evolution of Puliyattam over time, highlighting its impact in different areas and its influence on decision making. By weighing the various points of view on Puliyattam, we seek to provide a comprehensive perspective that enriches the understanding of this topic that is so relevant today.

Puliyattam playing

Puliyattam (means tiger Dance) is an old folk art dance of Tamil Nadu. A highly exuberant and cultural festival, this dance form usually comprises a troupe of 6 performers aping the movements of the majestic, predatory tigers. Their bodies are painted by the painstaking efforts of local artists in vibrant yellow and black to resemble an exact replica of a tiger. The paintings include the ferocious looking fangs and convincing headgear replete with ears, paws with claws, and a long tail that conjures an accurate picture of the savage beast’s graceful movements.

The thunderous roars of drums beating wildly along with several local instruments reproduce the snarls of the regal predators and complete the picture. Sometimes to incorporate a touch of reality, a vulnerable goat is tied and the dancers pretend to seize upon the helpless creature and thereby kill it. Apart from the tiger, the dancers are often adorned in the beautiful spots of a leopard or the eerie dark shades of a black panther.

The art nowadays is very rarely performed in Tamil Nadu but is still performed in Kerala (Pulikali/Puliyattam), Andhra Pradesh (Pulivesham) and Karnataka (Hulivesha).

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