The Entertainment Capital of the World

In today's world, The Entertainment Capital of the World has become a topic of great interest and debate. With the advancement of technology and globalization, The Entertainment Capital of the World has acquired a relevant role in contemporary society. From different perspectives and disciplines, The Entertainment Capital of the World has been investigated and discussed, generating varied opinions and proposals to understand and address its implications. In this article, we will deeply explore the meaning and importance of The Entertainment Capital of the World, analyzing its many facets and its impact in different areas of daily life.

The Entertainment Capital of the World is a nickname that has been applied to several American cities, including:

  • Las Vegas, because of its "broad scope of entertainment options including nightlife, shows, exhibits, museums, theme parks, pool parties, and so on."
  • Los Angeles (or, more specifically, Hollywood), due to the city's radio, television, music, and filmmaking, as well as the abundance of tourist and amusement attractions in the region.
  • New York City (or, more specifically, Broadway), due to the city's theater productions.

In a variation on the phrase, Branson, Missouri, United States, is known as the "Live Entertainment Capital of the World", owing to its array of approximately 50 theaters.

References

  1. ^ John Handley (June 13, 1976). "Las Vegas: A posh playground for adults, a wagering wonderland". Chicago Tribune – via Newspapers.com.
  2. ^ Robin Leach (August 14, 2016). "We are without a doubt the Entertainment Capital of the World". Las Vegas Review-Journal. Retrieved 2019-03-05.
  3. ^ Chi Fung Lam; Jian Ming Luo (2017). Entertainment Tourism. Taylor & Francis. ISBN 9781351668859.
  4. ^ Andrea Baker (2019). The Great Music City. Springer. p. 59. ISBN 9783319963525.
  5. ^ Ehrhard Bahr (2007). Weimar on the Pacific: German exile culture in Los Angeles and the crisis of modernism. University of California Press. p. 1. ISBN 9780520251281.
  6. ^ Scott Armstrong (May 31, 1986). "Hollywood: A comeback is in the script". Times Colonist. Victoria, British Columbia. Christian Science Monitor – via Newspapers.com.
  7. ^ Ray Hebert (November 23, 1970). "Face-lifting for Hollywood studied". Los Angeles Times – via Newspapers.com.
  8. ^ Edward Robb Ellis (2004). The Epic of New York City: A Narrative History. Basic Books. p. 594. ISBN 9780786714360.
  9. ^ Richard Panchyk (2010). New York City Skyscrapers. Arcadia Publishing. ISBN 9781439638620.
  10. ^ Richard Alleman (2013). New York: The Movie Lover's Guide: The Ultimate Insider Tour of Movie New York. Crown/Archetype. p. 95. ISBN 9780804137782.
  11. ^ Connie Farrow (August 1, 2004). "Showtown, U.S.A.: Branson isn't Lawrence Welk anymore". The Press of Atlantic City. AP – via NewsBank.
  12. ^ Lauren Wilcox (March 25, 2007). "Big time in Tune Town". Washington Post. Retrieved 2019-03-05.
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